Posts in Session 5
Pour & Slip: Experiments in Plaster Mold Making & Slip Casting

Come explore the language of repetition and familiarity through plaster mold making and slip casting. Whether you sculpt a new form or use a found object that has inherited language, see how material transformation changes the narrative of an object. We will discuss the history of kitsch, plaster mold making techniques, and best practices for casting porcelain slip. A basic understanding of the clay process is extremely helpful. All levels welcome.

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Print, Resist, Dye

Explore the process and possibilities of print/mark making and resist techniques on fabric utilizing a variety of tools and natural color. Pigments obtained from natural dyes are at the very foundation of the ways we have come to see and understand color today. Participants will work to understand cultural practices and traditions central to design within natural dyeing while drawing on their own personal history, experimentation, and creative interests. All levels welcome.

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Thinking Through Working

We will focus on what makes glass such a unique artistic material. Improving on the fundamentals of glassblowing—gathering, turning, heating, bubble-prep, teamwork, etc.—can free your creative voice. Bring a list of what interests you (not just what you want to make) and we will workshop how to creatively experiment in the hotshop to express and evolve these ideas. Techniques covered will include traditional glassblowing, color applications, torch-working, hot-sculpting, and assemblage, as methods to bring your vision to life. Glassblowing experience required.

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Visual Poetry: Contemplation & Mixed Media Collage

Enter into a creative process to reveal visually what lies within us through contemplation and mixed media collage. We will use acrylic paint, paper, found/discarded objects, and unconventional tools to create works that are emotive, unique, and alive. This workshop will provide space for participants to follow their curiosity and create their own visual vocabulary of texture, color, mark-making, and composition to create moments of encounter upon the canvas. This workshop is all about the process and not getting distracted by what the final piece may become—it is a process of fostering curiosity and wonder; as well as creativity and overcoming some of the fears that can keep us from making the first mark. All levels welcome.

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Double Walled Vessel

Thin metal sheets can be formed and fabricated to create the illusion of thickness: this is the silversmith’s sleight of hand. We will explore this effect by layering volumes and thickening edges. While handheld vessels are anticipated, other outcomes may ensue. Demonstrated techniques will include sinking and raising, lapped seams, specific soldering, casual chasing and repoussé, and forging. Copper or bronze sheet will be used. We will pour silver ingots if time allows. Basic metal experience, such as jewelry-making and torch use, is required.

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Wood & Fiber: A Marriage of Materials

This workshop will bridge two craft disciplines through materiality, method, process, and consideration. Both textiles and woodwork share relational qualities. Through making and experimentation, participants will investigate the poetics of these two crafts, contemplating new points of connection and overlap while understanding the historical practice of each discipline. How can fibers dovetail into wood? How can wood become weft? All levels welcome.

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Since 2011, Haystack has invited digital artists, engineers, researchers, and makers from the international Fab Lab network to enrich our community. Collaborations with esteemed institutions like MIT, Harvard, and RISD have fostered a unique exchange at the intersection of digital fabrication and craft. The Fab Lab Residency now emphasizes the creation of impactful projects and experiences, enriching the campus community. Residents—utilizing their expertise—will develop and share innovative demonstrations, workshops, interactive projects, or installations.

Fab Lab Residents augment the summer sessions and do not lead studio workshops.

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